35 found
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  1.  23
    Aesthetic Value.B. R. Tilghman - 1999 - Journal of Aesthetics and Art Criticism 57 (1):81-82.
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  2. But is it Art ?B. R. Tilghman - 1990 - Revue Philosophique de la France Et de l'Etranger 180 (1):117-118.
     
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  3.  6
    Wittgenstein and Moral Philosophy.Paul Johnston, D. Z. Phillips, Philip Shields & B. R. Tilghman - 1989 - Journal of Religious Ethics 22 (2):407-431.
    Recent books by Paul Johnston, D. Z. Phillips, Philip Shields, and B. R. Tilghman all depict Wittgenstein as centrally concerned with ethics, but they range from representing his main works as expressing and advocating a particular religious-ethical outlook to arguing that his work has no ethical content but aims primarily to clarify such logical distinctions as that between ethical and empirical judgments. All four books raise the question about the moral philosopher's proper role, and each suggests a rather different answer. (...)
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  4.  20
    Art and Imagination: A Study in the Philosophy of Mind.B. R. Tilghman - 1975 - Journal of Aesthetics and Art Criticism 34 (1):75-77.
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  5. Wittgenstein, Ethics and Aesthetics: The View from Eternity.B. R. TILGHMAN - 1991 - Philosophy 67 (261):412-414.
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  6.  95
    Danto and the ontology of literature.B. R. Tilghman - 1981 - Journal of Aesthetics and Art Criticism 40 (3):293-299.
  7. What is it like to be an aardvark?B. R. Tilghman - 1991 - Philosophy 66 (July):325-38.
    The Alligator's Child was full of 'satiable curtiosity. One day while rummaging in a trunk in the lumber room he came across a photograph of his father wearing an aardvark uniform and standing by a large ant hill. All excitement, he rushed to his father and breathlessly said, ‘Father, I didn't know that you had been an aardvark! What is it like to be an aardvark?’.
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  8.  18
    What is it Like to be an Aardvark?B. R. Tilghman - 1991 - Philosophy 66 (257):325-338.
    The Alligator's Child was full of 'satiable curtiosity. One day while rummaging in a trunk in the lumber room he came across a photograph of his father wearing an aardvark uniform and standing by a large ant hill. All excitement, he rushed to his father and breathlessly said, ‘Father, I didn't know that you had been an aardvark! What is it like to be an aardvark?’.
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  9.  19
    The Moral Dimension of the Philosophical Investigations.B. R. Tilghman - 1987 - Philosophical Investigations 10 (2):99-117.
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  10. Wittgenstein, games, and art.B. R. Tilghman - 1973 - Journal of Aesthetics and Art Criticism 31 (4):517-524.
  11.  48
    Isn't belief in God an attitude?B. R. Tilghman - 1998 - International Journal for Philosophy of Religion 43 (1):17-28.
  12.  40
    Seeing and seeing-AS.B. R. Tilghman - 1988 - AI and Society 2 (4):303-313.
    This paper highlights the importance of inter-relationships between language, context, practice and interpretation. These inter-relationships should be of interest to AI researchers working in multi-disciplinary fields such as knowledge based systems, speech and vision. Attention is drawn to the importance of Part II, Section II of Wittgenstein'sPhilosophical Investigations for understanding the enormous complexity of the concept of seeing and how it is woven into an understanding of language and of human relations.
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  13. Aesthetic perception and the problem of the "aesthetic object".B. R. Tilghman - 1966 - Mind 75 (299):351-367.
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  14.  80
    Parmenides, Plato, and Logical Atomism.B. R. Tilghman - 1969 - Southern Journal of Philosophy 7 (2):151-160.
  15.  17
    Aesthetic descriptions and secondary senses.B. R. Tilghman - 1980 - Philosophical Investigations 3 (3):1-15.
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  16.  25
    Reply to professor Kivy.B. R. Tilghman - 1981 - Philosophical Investigations 4 (1):39-40.
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  17. Arthur C. Danto, The Philosophical Disenfranchisement of Art Reviewed by.B. R. Tilghman - 1987 - Philosophy in Review 7 (3):98-100.
     
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  18.  5
    Alan H. Goldman, Aesthetic Value.B. R. Tilghman - 1999 - Journal of Aesthetics and Art Criticism 57 (1):81-81.
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  19.  20
    Causality and memory.B. R. Tilghman - 1966 - Pacific Philosophy Forum 4 (May):71-80.
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  20.  61
    Charles le Brun: Theory, philosophy and irony.B. R. Tilghman - 1992 - British Journal of Aesthetics 32 (2):123-133.
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  21.  9
    Charles le Brun: Theory, philosophy and irony.B. R. Tilghman - 1991 - British Journal of Aesthetics 31 (4):123-133.
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  22.  42
    Emotions and some psychologists.B. R. Tilghman - 1965 - Southern Journal of Philosophy 3 (2):63-69.
  23.  12
    Emotion and Some Psychologists.B. R. Tilghman - 1965 - Southern Journal of Philosophy 3 (2):63-69.
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  24.  33
    Fallico and the problems of art.B. R. Tilghman - 1963 - World Futures 2 (1):83-85.
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  25.  19
    Francis Sparshott's "Theory of the Arts"The Theory of the Arts.B. R. Tilghman & Francis Sparshott - 1984 - Journal of Aesthetic Education 18 (4):95.
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  26.  70
    Literature, philosophy and nonsense.B. R. Tilghman - 1990 - British Journal of Aesthetics 30 (3):256-265.
  27.  78
    Picture space and moral space.B. R. Tilghman - 1988 - British Journal of Aesthetics 28 (4):317-326.
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  28.  12
    Roger Fry: Art and Life.B. R. Tilghman & Frances Spaulding - 1981 - Journal of Aesthetic Education 15 (3):117.
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  29.  29
    Reply to professor Cebik.B. R. Tilghman - 1994 - Journal of Aesthetics and Art Criticism 52 (4):464-466.
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  30.  27
    Seeing and meaning.B. R. Tilghman - 1976 - Southern Journal of Philosophy 14 (4):523-533.
  31.  6
    Seeing and Meaning.B. R. Tilghman - 1976 - Southern Journal of Philosophy 14 (4):523-533.
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  32.  66
    Something about O. K. Bouwsma.B. R. Tilghman & Ronald E. Hustwit - 1994 - Philosophical Quarterly 44 (176):394.
  33.  42
    Seeing and Seeing‐as in Wittgenstein's Tractatus.B. R. Tilghman - 1983 - Philosophical Investigations 6 (2):116-134.
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  34.  4
    The Best of Intentions.B. R. Tilghman - 1982 - The Journal of Aesthetic Education 16 (3):111.
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  35.  37
    Wittgenstein and Moral Philosophy. [REVIEW]B. R. Tilghman - 1990 - Teaching Philosophy 13 (4):394-397.
    Recent books by Paul Johnston, D. Z. Phillips, Philip Shields, and B. R. Tilghman all depict Wittgenstein as centrally concerned with ethics, but they range from representing his main works as expressing and advocating a particular religious-ethical outlook to arguing that his work has no ethical content but aims primarily to clarify such logical distinctions as that between ethical and empirical judgments . All four books raise the question about the moral philosopher's proper role, and each suggests a rather different (...)
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